SikhSpectrum.com Quarterly Issue No.14, November 2003
POST 9/11 HATE CRIMES CONTINUE
Documentary Explores Plight of Sikh Americans
New Haven: Teachers Against Prejudice (TAP) will release the documentary project, Targeting the Turban, which takes an intimate look at the prejudice and hate crimes plaguing the Sikh community since September 11, 2001.
The 28-minute film— prelude to a full-length documentary— will be released to the public October 18, 2003 at the Spinning Wheel Film Festival in Toronto, Canada. The screening will begin at 6:30pm in the ROM Theater located at the Royal Ontario Museum. Advanced tickets may be purchased by visiting: spinningwheelfestival.com.
“The film’s greatest achievements is its ability to humanize victims of hate crimes, to draw attention to the commonality of all American citizens, and to demonstrate that differences are to be learned from not discriminated against” said Valarie Kaur, the film’s writer and director.
In conjunction with the film, TAP is developing grade appropriate lesson plans to correspond with the video’s message of compassion and cultural awareness. The lesson plans will encompass middle school, high school, college/university, and community groups. An interactive website is also under development: 911prejudice.stanford.edu.
Teachers may begin ordering their copy of this powerful documentary beginning in January 2004 by visiting TAP’s website, www.teachersagainstprejudice.org or 911prejudice.stanford.edu.
Since its inception, TAP has become the premier resource for educators seeking guidance and training on issues regarding prejudice, classroom diversity, and intercultural awareness. TAP functions as a non-profit grassroots, volunteer organization, which serves as a resource and support network for educators, students, parents and other concerned citizens.
The need for understanding cultural diversity in America - Mistaken Identity
- By Azim Shah
Gurus of the world unite! If there was ever a time for the wisdom of the ages
to prevail - it is now.
They say that the first causality of war is truth and in this post September
11 climate, we are probably further from it than we have ever been. Two
years and two months ago, since the Attack on America has resulted in those
tragic
events; ignorance, fear and doubt still dominate the political agenda. And
turmoil in the Middle East and the threat of reprisals, the national mood will
increasingly posture between positive patriotism and excessive jingoism.
Such stresses will inevitably tear at the threads that bind the fragile
fabric of our culturally diverse communities and society together - challenging
the
best and worst in America to jockey for pole position. In the final
analysis, we must participate and gain momentum or face the alternative of
becoming
the scapegoat.
Brown is the New Black
If brown is to be the new black, meaning certain levels of stereotyping and
racism will be unofficially accepted in the name of society's fears. What as
South Asian Americans are we doing to address the profiling and negative
consequences of being demonized as terrorists in waiting? Granted, in these
times of
threat, we require diligent measures to ensure security for all. However, in a
climate of fear and ignorance, the excesses of racist thinking become
prevalent.
None of us, regardless of our socioeconomic background or assumed status,
especially our sons, brothers and fathers are free from the scourge of security
policies that expel us from boarding airplanes because fellow passengers may
not like the look of us. Or at the other extreme, presume guilt before
innocence and suspend habeas corpus. Even though these are exceptions now, the
question is raised - will they become the rule in the face of severe terrorist's
attacks within our borders?
Are we proactive in getting the message across to mainstream America of who
we are? Why we are here? And what our cultural and religious doctrines
adhere to? Do we connect as a community meaning common unity, correctly with
each
other? Through meaningful dialogue, do we seek to close ranks, promoting a
united and influential voice to the local and national media and the powers at
be?
Do we reach out effectively through a formal framework to security agencies?
Be under no illusion, if America is attacked again with the severity of 9/11
or even worse with weapons of mass destruction - the spotlight will once again
focus on the Arab and South Asian communities. Ignorance, fear, harassment,
loss of business and lost opportunities will reign supreme. The ultimate
manifestation of which will plausibly result in the death of several more South
Asians. For all our successes as a community, our lack of political organization
with the authorities, vocalization and presence in the mainstream media will
be our greatest failure.
MISTAKEN IDENTITY
MISTAKEN IDENTITY: Sikhs in America is a film for television that triumphs
in breaking down misconceptions and barriers. This is one example of bridging
the mainstream media to our communities by the young Host Amanda Gesine,
Producer and Director, Vinanti Sarkar and Philip Marshall (4-time Emmy award
winning editor).
Since September 11, our use of the media to provide compelling stories that
share our common humanity to mainstream America is often a reaction to
individual events - more often than not tragic events.
This TV program touches on the experiences of Sikh Americans using the post
September 11 climate as a back drop and uniquely charts a journey of discovery
of the Sikh American heritage, over 100 years, through the eyes of 23 old
Armanda Gesine, host and investigative journalist. A young white American girl,
sheltered like so much of American society behind a white picket fence, she
speaks candidly of her view of the world, "September 11 changed us all-the
question is whether it changed us for the better or for the worse? It was a not
only a wake up call but also a sense of innocence lost and the coming of age for
my generation. Stories of cultural diversity not only need to be told but
celebrated".
A student at Georgetown University, Amanda immediately saw the light at the
end of tunnel and sought to break new ground in bringing stories of cultural
diversity to an American audience which she felt is more relevant now than ever.
She saw 'the demonization' of the turban and the beard create a huge
backlash against Sikh Americans, and felt if making this film will save one life
then
we will make a difference. "I believe in this project. If I can help one
person understand more about the Sikhs, I hope it will be a domino effect to
educate others".
With Armanda's initiation, the television documentary discusses the
experiences of Sikhs in America, demystifying the enigma of Sikh Americans and
shares
the hopes and desires of Americans from all backgrounds who seek to close ranks
against bigotry and hate and make a united stand against terrorism. Sadly
Amanda died of a tragic accident after completing the film, last summer on 14
June 2002. Her deep compassion, vibrant spirit, love of life, and sense of
peace,
will be greatly missed, after having shared her life with us for nine months
in making this TV program. We all loved her. This is her legacy to her fellow
Americans and non-Sikhs worldwide.
Festival of Lights
With Diwali, the festival of lights, this television
program is very poignant and in its own way seeks to be a beacon, to mainstream
America to gain positive insights through music, wisdom and rich imagery that
leaves them with a compelling empathy towards the South Asian American
community.
The lighting of candles is a universal gesture that is widely understood as
an act of silent prayer, solidarity, and for some the sense of seeking to
illuminate the feeling of darkness around them.
For those of us who celebrate or participate in the spirit of Diwali, let us
light a candle this year - firm in the conviction that where there is darkness
let there be light, thus where there is ignorance let there be truth.
With extensive travel across the Untied States, filming over 40 hours of
footage, MISTAKEN IDENTITY: Sikhs in America was produced and directed by
Vinanti Sarkar, President of WLWD Inc, New York (a boutique digital television
production house). With six cameramen, shooting over nine months, it is being
supported by one voice "United We Must Stand".